Wednesday, April 24, 2013

On Autopilot



April PAD Challenge: For today’s prompt, write an auto poem. Auto could mean automobile, automatic, automaton, or any number of possibilities.

She turns her hands to auto-pilot
Wipes the counters, sweeps the floor
Folds the laundry while she travels
To the bliss of sun-swept shores
Her hands remain upon their chores

She turns her feet to auto-pilot
Sink to fridge to stove; repeat
While she treads the path of duty
Venice and Brazil compete
The greens in Ireland are sweet

When she is in auto-pilot
She has prayed her children home
Designed gardens and surprises
Traversed Austria and Rome
...or perhaps, written a poem

I wave to those on auto-pilot
Shaking mats, watering plants
They smile with envy as I wander
To the pier where sunbeams dance
MOM! DID YOU DO LAUNDRY? I NEED PANTS!

Janet:)




The Constanza Form...Rain-refrain and Seventeen





The Constanza; Poetic Bloomings invites us to try this form. (The error in this poem is my first lines are not an independent poem....the second stanza is the glitch)) The Constanza, created by Connie Marcum Wong, consists of five or more 3-line stanzas. Each line has a set meter of eight syllables. The first lines of all the stanzas can be read successively as an independent poem, with the rest of the poem weaved in to express a deeper meaning. The first lines convey a theme written in monorhyme, while the second and third lines of each stanza rhyme together.

Rain-refrain

She falls, silver; a sweeping sigh
From founts of low-flung pewter cloud
Drenching the winter-weary shroud

She sings; a melody where I
Am seized with a sweet-surging hurt
To bathe my hands in garden dirt

She sparkles; sequin-studded sky
Embellishing each blade of grass
With nature’s froth of liquid glass

She murmurs, ‘farmer, do not cry
God holds spring’s phial in His will
Un-clenching frost-bound ridge and rill’

She laughs; a sassy, splashy high
For in euphoric aftermath
Wild blooms ensconce the muddy path

She croons; a soulful lullaby
Beyond the porch her passion streams
As rain-song rivers kiss our dreams

© Janet Martin

Let's Try Again...

Seventeen...

My love; will you still love me true?
When youth and middle-age fall prey
To ticking clocks and locks of gray?

And will you murmur 'I love you'
As if we were still seventeen
Without a clue what 'love' will mean

When I am old, bent by love's due
Will you still kindly take my hand
And whisper oh, babe, ain't love grand?

Will we gaze down past's avenue
With hearts humble and meekly awed
That we remain, by grace of God?

When we are old, will love imbue
Each day with sweet and sacred truth
Renewing vows made in our youth?

Each step; will we be one or two
When we are old and frail and weak?
Will you still kiss my wrinkled cheek?

And will we whisper 'I love you'
When we are old; will we be mean
Or will we still be seventeen?

Janet~






Tuesday, April 23, 2013

The Now-factor



 (how can it be? It is always 'now' yet now is a constant transformation!)

You are always in the moment
Yet you probe the pedicle
Breathing buds into full beauty
Tuning autumn’s canticle

You are always in the moment
Not a flicker or a sigh
In the ethereal cohesion
Of a decade passing by

You abide, instant, eternal
Gentle, ruthless half-breath clone
Nudging daughters into women
In your moment-monotone

You are always ever-present
Past and future, what are they
But the gossamery essence
Turning raven locks to gray

You are always in the moment
Tell me then, how can it be
That a moment takes the future
Sealing it in history

What is your secret; century-weaver
Mouthed in muted moment-chime
For I cannot feel you passing
Metamorphosis of Time

© Janet Martin




I Love You, I Hate You (two-for-two-Tues.)



I seem to love you so
And easily fall prey
To fickle wishes, wants and whims
That you cajole my way

Yes, I must love you so
These second miles I run
To satisfy your restless eye
Declares my devotion

Though your attention span
Is pathetic at best
I hunger for the nuances
Of pleasures you suggest

But oh, I hate you so
The flesh is hard to please
And never fully satisfied
With my best loyalties

Oh, yes I hate you so
The way I bow to serve
Your flighty notions and desires
Disgust my burst of nerve

Oh, how I hate you so
You war against the One
Who whispers peace, and loves me so
In spite of what I’ve done

© Janet Martin


Watch and pray, that ye enter not into temptation:
the spirit indeed is willing,
but the flesh is weak. Matt. 26:41

 

Our 'Oughts'



 

He gave His Best for us
Then how much more ought we
To offer Him our utter-best
In meek humility

He gave His life for us
Then how much more ought we
To return our lives to Him
In service, thankfully

He gives His best to us
Love's grace; ought we not give
The best we have to Him who gave
His best so we may live?

© Janet Martin

This Could Be the Day






This could be the day
We cannot fully know
Who will remain to witness
Twilight’s tranquil binding glow
Or who will pass its gleam
Into forevermore
Where none can see the mystery
Beyond time’s transient door

This could be the day
There are no guarantees
No ranks or hierarchies immune
To this life’s tragedies
And no one can foretell
The unknowns that abide
Or be without uncertain doubt
When life and death divide

See how the morning sun
Spills kindly to the grass
Blushing in whispers on the brink
Of what will come to pass
This gift is from God’s hand
So live, laugh, love and pray
Someday death’s claim will call our name
And this could be the day

© Janet Martin

 For he says, "In the time of my favor I heard you, and in the day of salvation I helped you." I tell you, now is the time of God's favor, now is the day of salvation. 2 Cor. 6:2

Monday, April 22, 2013

For my Daughter who Likes to Debate

  


Image Source

Poetic Bloomings Prompt; Time flies when you’re having fun! We’ve heard that throughout our lives. In the movies, time passing is depicted as a clock or sundial in time-lapse photography in rapid motion. We see hair gray up and other parts sag down. So for this poem, we want you to write a poem that shows the passing of time. The first part will center upon something you enjoyed or did as a child. The second part will focus on your perspective on that activity and how age has changed/enhanced your vision.

Once I was a girl
Young, carefree, like you
Constrained by parents
With a straight, narrow view

Now I am the parent
And I love you
In spite of your scoffing
At my straight, narrow view

Someday I pray
You will have girls too
Loved and constrained
By your straight, narrow view

© Janet Martin

I read this prompt after a  long and heated ‘debate’ with my teen-age daughter, thus, this is what my first thought was.
 

Complexities of Enemies



  

My greatest enemy
Is quite average in appearance
But what a nuisance she can be
Always pushing to the forefront
In one little word
Me! Me! Me!

© Janet Martin