Showing posts with label in-form poetry. Show all posts
Showing posts with label in-form poetry. Show all posts

Tuesday, January 12, 2016

Bugle-call...A Rubaiyat




I.
The sky is old; as old as Day and Night
Yet we are still dumbfounded by the sight
Of stars, or how dawn breathes yon gates ajar
And dusk returns to gather up the light

II.
Nature does not forget; a Faultless Hand
Refurbishes the fortunes in its strand
They slumber, bedded in earth’s umber deep
Waiting to waken in Spring’s Promised Land

III.
Both morning-tide and eventide convey
A hierarchy greater than Night and Day
It decorates the dust with mighty hills
That spill blue shadows where light ebbs away

IV.
Man plans but his scope of vision is small
His grandstands hosting boast-and-toast soon fall
Like leaves beneath tall trees, their birthright spent
Where time’s attention span outgrows us all

V.
The spigot whereby mankind seeks his quaff
That God turned on and has not yet turned off
Is a Terminal and Terrible Thing
Which only fools disdain with aimless scoff

VI
Sometimes we bloat ourselves with ignorance
That clothes itself as Knowledge and we dance
In glass slippers until the clock strikes twelve
Then, suddenly we see Time’s crass romance

VII.
Ah, we should often look up at the stars
To marvel at midnight’s unbroken bars
Where words unuttered by daylight appear
In dialects not tainted by ink jars

VIII.
The resting place of seasons none can breach
Its everlasting breadth evades man’s reach
Yet as we grapple with these laws of loss
Life’s albatross renders what it must teach

IX.
This exhibition-place of greed and need
This hope-and-grace dependent human-breed
Would be a living hell of want and wish
If by its bread alone we could succeed

X.
He drinks an elixir of well-dressed lies
Then forgets what manner of man he is
…a ready prey for wolves in sheep’s disguise

XI.
Go to the ant, thou sluggard; learn their ways
Lower art thou than the bug who obeys
His Maker; then, do not forfeit The Crown
By languishing too early on Death’s chaise

XII.
Hand to the plow, the spade, the pen, the broom
Already the exploit of moments bloom
Upon the midday clock that holds the key
That will unlock the Gate to God or Doom

XIII.
Did the Lamplighter of Time’s wick detail
The Very Tittle of its last exhale?
Ah yes, but not even the angels know
When He will crush to naught Time’s Awesome Grail

XIV.
Because of Calvary God made a way
For fallen man to hope through That Last Day
This groping-coping interlude of strife
That we call life is but a little Stay

XV.
Time’s tick and tock ah, gossamer transport
To a goal made for souls none can abort
Its countdown is like a holy bugle-call
‘Oh who will come and who will trust the Lord?’

XVI.
The sky is old; as old as Day and Night
And we are still dumbfounded by the sight
Of it; a drop within eternity
Come, bow the knee before God snuffs the Light

© Janet Martin

Sasha's Interlocking Rubaiyat poems lured me to try a Rubaiyat, 
then after reading The Rubaiyat of Omar Khayyan
 I couldn't resist!
Not quite as alluring as the Interlocking Rubaiyat but still, an enjoyable form to write to...

Tuesday, October 13, 2015

Risk Failure...a Blitz Poem



OctPoWriMo Day 13. Write a blitz poem about risk.


“Only those who will risk going too far can possibly find out how far one can go.” 
― T.S. Eliot




How far will I go?
How much will I risk?
Risk nothing?
Risk it all?
All of what?
All of my heart
Heart full of hunger
Heart full of words
Words that bare all
Words that spell thought
Thought is a drifter
Thought controls minds
Minds move the hand
Minds birth action
Action involves plan
Action desires risk
Risk requires courage
Risk inspires fear
Fear is a killer
Fear is a thief
Thief of laughter
Thief of beauty
Beauty of love
Beauty of ink
Ink drained from souls
Ink shaped in poetry
Poetry to lavish paper
Poetry to surprise people
People feel it
People need it
It is soul food
It is music
Music for all ages
Music on pages
Pages that thrill
Pages that fill
Fill us with hunger
Fill us with joy
Joy of what is
Joy of what waits
Waits to be written
Waits to be shared
Shared. There it is
Shared requires risk
Risk being wrong
Risk being read by masters
Masters that braved risk
Masters that bore failure
Risk
Failure

© Janet Martin

Wednesday, April 30, 2014

Pleasure



The poetic form *The Pleiades 

*seven six-syllable lines beginning with the letter of the title-word

Perhaps she will fail you
Please, don't misunderstand
Poetry perplexes
Poets with pen in hand
Pacing half-paragraphs
Probing thought-oceans stirred
Painting pictures with word

 Janet Martin

Wednesday, April 24, 2013

The Constanza Form...Rain-refrain and Seventeen





The Constanza; Poetic Bloomings invites us to try this form. (The error in this poem is my first lines are not an independent poem....the second stanza is the glitch)) The Constanza, created by Connie Marcum Wong, consists of five or more 3-line stanzas. Each line has a set meter of eight syllables. The first lines of all the stanzas can be read successively as an independent poem, with the rest of the poem weaved in to express a deeper meaning. The first lines convey a theme written in monorhyme, while the second and third lines of each stanza rhyme together.

Rain-refrain

She falls, silver; a sweeping sigh
From founts of low-flung pewter cloud
Drenching the winter-weary shroud

She sings; a melody where I
Am seized with a sweet-surging hurt
To bathe my hands in garden dirt

She sparkles; sequin-studded sky
Embellishing each blade of grass
With nature’s froth of liquid glass

She murmurs, ‘farmer, do not cry
God holds spring’s phial in His will
Un-clenching frost-bound ridge and rill’

She laughs; a sassy, splashy high
For in euphoric aftermath
Wild blooms ensconce the muddy path

She croons; a soulful lullaby
Beyond the porch her passion streams
As rain-song rivers kiss our dreams

© Janet Martin

Let's Try Again...

Seventeen...

My love; will you still love me true?
When youth and middle-age fall prey
To ticking clocks and locks of gray?

And will you murmur 'I love you'
As if we were still seventeen
Without a clue what 'love' will mean

When I am old, bent by love's due
Will you still kindly take my hand
And whisper oh, babe, ain't love grand?

Will we gaze down past's avenue
With hearts humble and meekly awed
That we remain, by grace of God?

When we are old, will love imbue
Each day with sweet and sacred truth
Renewing vows made in our youth?

Each step; will we be one or two
When we are old and frail and weak?
Will you still kiss my wrinkled cheek?

And will we whisper 'I love you'
When we are old; will we be mean
Or will we still be seventeen?

Janet~






Wednesday, March 27, 2013

Keeper...Line Messaging Poetry





Poetic Bloomings invites us to attempt;   LINE MESSAGING poetry, the final line of each stanza may be compiled to create an entirely new poem with its own independent message (a poem within a poem).  It appears there are no rules for number of stanzas, or rhyme scheme.   This form was created by Angel Favazza.

Dusk flowers gently over field and hill
Blush pink washes the patch-work quilt of spring
A surge akin to prayer ignites within
The Keeper of each hour tunes the rill

Each season sheds its purpose on the earth
The seed will grow; the chaff be blown away
Love’s Hand sifts through our humbly offered fray
And fills our wanton efforts with His worth

We cannot know the reason of His will
But like each season, joy and sorrow pass
We strain to see beyond this darkened glass
Where mortal imperfections keenly spill

Spring is the season of hope and re-birth
With hand upon the plow we till the sod
Trusting its harvest to a loving God
His faithful eye is over all the earth

(Independent Message)

The Keeper of each hour tunes the rill
And fills our wanton efforts with His worth
Where mortal imperfections keenly spill
His faithful eye is over all the earth

© Janet Martin

Wednesday, March 13, 2013

Fit for Kings (the Epulaeryu)



 

Poetic Bloomings invites us to attempt the Epulaeryu.

The “Epulaeryu” poem is about delicious food. It consists of seven lines with thirty-three (33) syllables. The first line has seven syllables, the second line five, the third line seven, the fourth line five, the fifth line five, the sixth line three, and the seventh line has only one syllable which ends with an exclamation mark. Each line has one thought relating to the main course. Therefore, this new poetic form, the Epulaeryu, which has corresponding lines built around the main course, and ending with an exclamation point, concludes with the ending line expressing the writer’s excitement and feelings about the poem.

The humble, boiled potato
Deemed the beggars fare
Seems ordinary, simple
Until sprinkled with
Rich, hearty laughter
And chatter.
Love!

© Janet Martin

 I caught myself sighing at the thought of boiled potatoes for supper...again! My kids love them and I glimpsed a re-play of past 'boiled potato suppers' as they mashed them, adding salt or pepper and a bit of butter while laughing, arguing chattering about the day... m-m-m-m!  Love makes every meal king-worthy.


Wednesday, March 6, 2013

Sun-whispers...a Quatrain Cascade Poem

 (we are having our first serious sun-whispers of the season;)

I snitched the first stanza of a poem I wrote last night to try another Cascade poem. Poetic Bloomings is show-casing the cascade form today.


Sun-whispers softly grin
Where winds mutter, blue-cold 
And so this tug-of- war begins
Twixt gray and azure-gold

We long for the kind kiss
Of summer on our skin
And dusty lanes of bare-foot bliss
…sun-whispers softly grin

The dismal monotone
Of woodland's naked fold
Makes a body feel alone
Where winds mutter, blue-cold

Gold puddles warm the earth
Nudging the seed within
The womb of Mother’s nature’s girth
And so this tug-of-war begins

The firmaments declare
Winter is growing old
A duel provokes the air
Twixt gray and azure-gold

© Janet Martin




His Loving Proof



Poetic Bloomings invites us to attempt the Cascade form
(use each line in your first stanza as the last line in each following stanza)


The whisper of a new day yearns
On morning’s far ephemeral brink
The velvet veil of midnight’s deep
Dons pastel borders of soft pink

The past whereon we dreamed and danced
Is sealed, no refunds, no returns
But oh, the grace of second chance
…the whisper of a new day yearns

From astral streams hope’s halo beams
Time dips its quill into love’s ink
It’s signature of mercy gleams
On morning’s far ephemeral brink

The gossamer of purple mist
Embellishes the supine sweep
Of slumber’s bliss; mute murmurs kiss
The velvet veil of midnight’s deep

Ah, what is man that God approves  
Our offerings of splattered ink
His grace in glorious, loving proof
Dons pastel borders of soft pink

© Janet Martin

 When I consider your heavens,
    the work of your fingers,
the moon and the stars,
    which you have set in place, 
 what is mankind that you are mindful of them,
    human beings that you care for them?

Ps. 8: 3-4

Wednesday, February 27, 2013

Mercy-song...a Rubáiyát





Poetic Bloomings invites us to attempt  The Rubáiyát

The music of life’s fervent flow
Is bittersweet; now swift, now slow
The rise and fall of centuries
Surging, to melt like streams of snow

Hail, moment-tear, why do you rush
To tune the sphere of midnight’s hush?
I pause to hear your subtle sigh
Sparkle on daybreak’s dew-drenched brush

The virgin gleam of morning-spire
Throbs, a requiem of new desire
Replenishing our flagging vim
In cadences from heaven’s choir

Ah, agony of moment-mirth
Of shadows spilling on dusk’s girth
Where soon the dawn provokes the dark
And splashes grace across the earth

We lift our cups up, brave and high
To taste life’s honey from the sky
For soon its dripping melody
Will sweep in languid lullaby

The music of life’s second chance
Inspires us to dream and dance
Forsaking yesterday’s lament
To revel in hope’s moment-glance

Mercy and grace do not keep score
Kissing our failures through Time’s door
They tune their harps with renewed zest
And beckon us to sing once more

© Janet Martin





Wednesday, February 13, 2013

In Loving Hands



 

Poetic Bloomings invites us to attempt the Ovillajo form

Beyond my faith or fear-filled eyes
The unknown lies
Its moments shaped like precious sands   
In loving hands
Before they are released, the staff and rod
Of Father God
To test and try our grasp of dust
To teach us how to hope and trust
In One who holds our moments first
The unknown lies in loving hands of Father God

© Janet Martin

Wednesday, January 30, 2013

Conception of Misconception...





Poetic Bloomings invites us to try the the memento form  today.

In lack of honest, uttered word
Or the ineptness of
Their mien
In truths too seldom breathed or heard
Lost somewhere in self-love
Between

…the moment when I should have said
Those words that I chose not
To say
Before assumptions in your head
Consume your misled thought
Today

© Janet Martin


Wednesday, January 23, 2013

The Tyburn

Poetic Bloomings invites us to attempt the Tyburn form.

The TYBURN is a six line poem consisting of 2, 2, 2, 2, 9, 9 syllables.
The first four lines rhyme and are all descriptive words. The last two lines rhyme and incorporate the first, second, third, and fourth lines as the 5th through 8th syllables.
More instruction: http://www.wikihow.com/Write-a-Tyburn-Poem

 Photo


Very
Merry
Cherry
Sherry
A very merry day, don’t you think?
Warmed by a third cherry, sherry drink

***

Rushing
Gushing
Blushing
Hushing
Life’s moments; a rushing, gushing stream
Its mem’ries a blushing, hushing gleam 

Janet~

A challenging form. Yes, the first one 'twists' the rules a little:)



Wednesday, January 2, 2013

Questionku



Poetic Bloomings challenges us to attempt the questionku
Questionku is a new short form by Richard Lamoureux. By definition it consists of three lines:
Line one:  4 syllables.
Line 2:  5 syllables.
Line 3:  A 6-syllable question.
Questionku on The Wonder of Him

God holds the earth
He saves our souls
Why do we yet doubt Him?

***

God speaks; it IS
None can thwart His will
Is there any greater?

***

God loves us so
Beyond human grasp
Will we ignore His grace?

© Janet Martin

Wednesday, November 28, 2012

The Harrisham Rhyme



 Poetic Bloomings invites us to attempt the Harrisham Rhyme.
The Harrisham Rhyme was created by Harrisham Minhas, of Punjab, India. It consists of one six-line rhyming stanza.  In this form, the last letter of the first word of each line becomes the first letter of the first word of the next line.
Rhyme scheme : ababab

God loved me so much, when He gave me you
Darling, you put a smile on my face
Grant it; of love’s struggles, we’ve had a few
Testing love’s tender embrace
Grace and forgiveness are heaven-spilled glue
Essential to keep a marriage in place

© Janet Martin

This is fun…I’ll try another


Duty may lecture and tasks may compile
Yet Muse keeps wheedling her bait
Taunting and teasing, words beg and beguile
Goading my love and my hate
…gentle persuasion and poetry smile
Everything else can wait…

© Janet Martin

…but only for so long! I’m fall-cleaning the living-room today. That must be done before we may set up the tree.